Erivo is stunning in her sole scene as the Blue Fairy, starring in one of several memorable musical numbers. Accents are all over the place, and some linguistic humor, including use of words like "pedagogy," "flaneur," and "charcuterie," could fly over some heads. It's always hard to justify setting a film in one country but hiring actors from others to play key roles, as the main cast here has been asked to do in the Italy-set Pinocchio. When he hesitates to send his wooden boy out into the world, holding tight to his tiny gloved hand and fighting back tears, Hanks is surprisingly moving as an animated co-star. Of course, the scene showcases the character and the actor, who is as genuine as always. A full 15-minute intro of Hanks' old man Geppetto talking to his animals and "oddments" in his studio comes across as theatrical and slightly meandering, and it's very different in tone from much of the rest of the action-packed story. Like its many predecessors, this retelling of Pinocchio looks and feels dark in places and could potentially frighten younger viewers. This retelling of the classic fairy tale boasts an impressive mix of CGI animation and live actors and settings, but the final product feels a little jumbled. Other language includes "jackass," "H-E-double hockey sticks," "bollocks," "blimey," and "crock." Show more There are quite a lot of taunts (like "stupid," "loser," "idiot," "jerk," and more) and some teasing. His maker/dad, Geppetto ( Tom Hanks), and his minder, Jiminy Cricket ( Joseph Gordon-Levitt), already model these qualities. But the messages are solid: Pinocchio must learn to follow his conscience, distinguish right from wrong, resist temptation, and prove himself brave, honest, and unselfish. Some of the situations, evil characters, and bad behavior could prove upsetting for younger or more sensitive viewers. One beloved character appears to die in one scene, and other characters are tossed around, threatened, hit over the head, captured and locked up, set on fire, teased, chased by the sea monster, and enslaved. Pinocchio (Benjamin Evan Ainsworth) is kidnapped, imprisoned, nearly turned into a donkey, and swallowed by a sea monster. The closest thing that came to a shocker was Sarah Polley's win for best-adapted screenplay for "Women Talking," a small film that felt very much the David that beat out the Goliath of a blockbuster, "Top Gun: Maverick," in the category.Parents need to know that this live-action/CGI adaptation of Pinocchio is a bit more intense than the animated classic (which itself has some fairly dark moments). The 95th Academy Awards definitely wasn't like last year's ceremony – and for that, the people behind the scenes are probably breathing a sigh of relief.Īfter "the slap," the Academy instituted a crisis team that was on hand to make sure things didn't get out of hand.īut Sunday night was devoid of that type of drama – and of many surprises.Īs expected, "Everything Everywhere All at Once" was a big winner, taking home the awards for best actress, supporting actor and actress, best original screenplay, best picture and best directing categories.īrendan Fraser bested Austin Butler for best actor, which wasn't exactly an upset as they were both leading contenders. Daniel Scheinert, left, and Daniel Kwan accept the award for best original screenplay for "Everything Everywhere All At Once".
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